Perhaps ill-advisedly, I spent last Sunday afternoon at a dance performance with two of my sons. It was an unusually busy weekend, there was laundry and homework to do, and frankly neither of the boys was wild about the idea of sitting quietly in a theater for two hours. But I persisted, and we went.
The show was Men in Dance—a festival held every two years showcasing a wide variety of dance from classical to contemporary. All of the performers are men and boys. What I love about watching these dances is the sheer range of expression and styles. Some performances are tender and romantic, some funny, some bursting with energy and power.
It is tricky raising boys to be men in a culture that tolerates and celebrates men’s violence, and in which that violence does so much damage. One of the challenges is this: how do we teach boys to be conscious of and critical of violence, and at the same time to love and be proud of themselves, when the culture teaches them that violence is something essential about who they are?
I think what moves me about watching these dances is that it feels like a glimpse of liberated masculinity, what men can be outside of the “man box.” And I don’t mean just because men are defying macho stereotypes by dancing. That’s true, but it is only the surface. The dancers embody masculinity that stretches into a wide expanse of human experience, far beyond that narrow range of emotion typically recognized as manly. It is a celebration of men and male bodies. A display of strength and beauty without domination or objectification. Athleticism and skill without winners and losers. I want those models of manliness for my sons, but they are not easy to come by.
I’m leaving my boys for a few days later this week to join in a series of conversations about healthy masculinity. The Healthy Masculinity Action Project envisions a world where “Every man can be strong without being violent. Every man can make the world a better place.” Rejecting violence is only a first step. The conversations I hope to have are about how we get beyond that to a kind of masculinity that is worth celebrating. How we embody it an authentic way, recognize it in each other, and make it accessible to everybody. I know what it is like to grow up with no visible image of the kind of man I wanted to be, so I know it is possible to make it up on your own. I don’t know yet how to make that vision real for my boys and all of our sons, but I am excited to be with other people trying to figure it out.
Reblogged this on Country Mouse in the Big City.
Reblogged this on salixproductions and commented:
Great conversations to have about masculinity and dance and movement. Ties in directly with my work on Maskulinity!
I love this conversation about masculinity. Sometimes it feels depressing – that there is little movement – and other times I put it in perspective and feel that the world is slowly, slowly, making room for an expansive definition of masculinity.
As a choreographer, I have recently created a full-length production of modern dance with choreography by Ras Mikey C titled “Maskulinity.” We explore what it means to be a man. In the 3 shows so far, the audience really dug in to talk about gender and particularly masculinity as portrayed in our culture. Its promising that so many people are eager to have this conversation!